Put Your Ass [Where Your Heart Wants To Be], by Steven Pressfield (Sarsaparilla Media, 2022)

Another of Pressfield’s motivational books on creativity and overcoming barriers to getting work done, this time prioritising focus, place, and effort. The same but different: core messages from Pressfield’s other books are repeated, but the effect is cumulative. Plenty for those who think they’re struggling to be creative to reflect on.

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My own books are here, if that’s your thing. Newest is noir thriller East of England.

Getting Away With It, by Steven Soderbergh (Faber and Faber, 1999)

Subtitled “The Further Adventures of the Luckiest Bastard You Ever Saw”, this balances a twelve-month journal of the film industry – there’s a lot here about Soderbergh juggling projects and writing-related procrastination – and a series of interviews with fellow film director Richard Lester. The book’ll make you want to go back and revisit Lester’s work: from the Goons to The Beatles to Superman via the best Musketeers movies. Recommended.

My own books here, if that’s your thing. Newest is noir thriller East of England.

Dan O’Bannon’s Guide to Screenplay Structure, by Dan O’Bannon and Matt R Lohr (Michael Wiese Productions, 2012)

A guide to three act structure, and why it works for narrative cinema: including the Alien screenwriter’s own variant. Completed posthumously, this is an accessible, lightly erudite and fun guide to onscreen storytelling. One third structural analysis, one third application of O’Bannon’s version of the three act template to selected movies, one third industry observations.

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My own books are here, if that’s your thing. Newest is noir thriller East of England.

Nobody Wants To Read Your Shit (And Other Tough-Love Truths To Make You A Better Writer), by Steven Pressfield (Black Irish Entertainment, 2016)

Another writing/creativity get-up-and-do-it how-to book from Pressfield, this time focused on lessons learned along the way as a novelist, screenwriter, as an advertising creative, and as a motivational writer. The most important lesson is in the book’s title: others focus on the twin imperatives of theme and story to any form of writing. Excellent as ever: the trick is to now go and do it, of course.

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My own books are here, if that’s your thing. Newest is noir thriller East of England.

If I Only Had The Time: How To Keep Writing When The World Stops Moving, by Dave Cohen (TTTTTT Publications, 2021)

Reflections on creative writing: access, opportunities, and restrictions in 2021. An excellent short overview, with comedy writer Cohen bringing his decades of experience to the table. A focus throughout on the impacts of coronavirus and the internet, and on the need to both re-evaluate goals and directions while seeing new realities as chances. Recommended.

My own books are here, if that’s your thing. Newest is noir thriller East of England.

Pundamentalist, by Gary Delaney (Headline, 2020)

A collection of one-and two-line gags, puns, and wordplay from the UK stand-up comedian. And that’s it: the book does exactly what it promises. There’s about 1000 well-crafted little jokes here, some obviously selected as they work better in print rather than delivered on stage. All tastes catered for, from the cheekily rude to the impressively inventive.

My own books are here, if that’s your thing. Newest is noir thriller East of England.

Creativity: A Short and Cheerful Guide, by John Cleese (Hutchinson, 2020)

A brisk overview of creativity as a concept and as part of writing and related practices. Straightforward and accessible (if geared to Cleese fans and to folk who know who William Goldman is) but undeniably brief, scarcely stretching to anything approaching book length. Still, some useful insights and experiences are noted.

My own books are here, if that’s your thing. Newest is noir thriller East of England.

The Organised Writer: How To Stay On Top Of All Your Projects And Never Miss A Deadline, by Antony Johnston (Bloomsbury, 2020)

A seasoned pro’s guide to structuring your writing life, to managing workload, and to tackling administration. A clear and detailed approach (with accompanying downloadable forms etc) that works both as a study of professional practice and as a practical how-to book. Even if you don’t put Johnston’s system into operation, there’s plenty of tips and ideas to support focus and direction.

My own books are here, if that’s your thing. Newest is noir thriller East of England.

Lowborn, by Kerry Hudson (Vintage, 2020)

A writer revisits her younger life and self. Excellent autobiographical exploration of how class, gender, substance abuse, poor mental health, homelessness, poverty and related issues may intersect and inform each other. Neither sentimental nor sensationalist, but clear and compassionate throughout. Plus, a Proustian moment (involving banana-flavoured vitamin drops) for me. Recommended.

My own books are here, if that’s your thing. Newest is noir thriller East of England.

The Loneliness of the Long-Distance Cartoonist, by Adrian Tomine (Faber and Faber, 2020)

A socially-awkward cartoonist reflects on embarrassing incidents in their life. Lovely, touching and beautifully-presented kinda-memoir, that’ll ring true to anyone who’s tried to be creative and/or who’s struggled with being in public. Lots to appreciate, and wholly relatable even (or especially) if comix aren’t usually your thing.

My own books are here, if that’s your thing. Newest is noir thriller East of England.