Creativity: A Short and Cheerful Guide, by John Cleese (Hutchinson, 2020)

A brisk overview of creativity as a concept and as part of writing and related practices. Straightforward and accessible (if geared to Cleese fans and to folk who know who William Goldman is) but undeniably brief, scarcely stretching to anything approaching book length. Still, some useful insights and experiences are noted.

My own books are here, if that’s your thing. Newest is noir thriller East of England.

The Organised Writer: How To Stay On Top Of All Your Projects And Never Miss A Deadline, by Antony Johnston (Bloomsbury, 2020)

A seasoned pro’s guide to structuring your writing life, to managing workload, and to tackling administration. A clear and detailed approach (with accompanying downloadable forms etc) that works both as a study of professional practice and as a practical how-to book. Even if you don’t put Johnston’s system into operation, there’s plenty of tips and ideas to support focus and direction.

My own books are here, if that’s your thing. Newest is noir thriller East of England.

The Trick, by William Leith (Bloomsbury Publishing, 2020)

The journalist explores the secret to making money, through reflecting on his parlous financial life and on his wealthy interview subjects. Typically self-absorbed and confident, Leith’s third book is a zippy treat, even if you might not want to spend time with anyone featured in it. The trick itself is revealed on p.198.

My own books are here, if that’s your thing. Newest is noir thriller East of England.

Tips from a Publisher, by Scott Pack (Eye Books, 2020)

A guide to writing, editing, submitting and publishing – as the book’s subtitle says – from an industry perspective. A friendly, useful, realistic, up-to-date and detailed guide to what to expect from and with agents and publishers (as well as with non-traditional ways into publication), and how to approach them professionally. A great addition to any shelf of writery books. Recommended.

My own books here, if that’s your thing. Newest is noir thriller East of England.

First You Write a Sentence, by Joe Moran (Penguin Books, 2018)

A book about writing, focusing on the sentence as a unit of construction. Once you settle into it, this is a very useful little book – geared towards non-fiction rather than fiction writing, so bear that in mind – that’ll offer not only some hard-won advice but sneak in a little grammar teaching and learning in too.

My own books here, if that’s your thing. Newest is noir thriller East of England.

The Warrior Ethos, by Steven Pressfield (Black Irish Entertainment, 2011)

An overview of Spartan military and related philosophies. A clear and straightforward introduction, intended both as a primer for soldiers and to those addressing other conflict areas (creative struggles, etc). Useful and direct, not least if you appreciate the same author’s fiction and wider writings on creativity.

My own books are here, if that’s your thing. Newest is noir thriller East of England.

 

More Golden Rules Of Acting, by Andy Nyman (Nick Hern Books, 2019)

A follow-up to the 2012 first volume, giving an insider’s perspective on how to be an actor, in all that this entails. Useful insights for anyone linked with creative and gig-based working – not just boards-troublers – that might be summarised in three words: positivity, politeness, professionalism. Best read with Book 1, but a valuable reality check nevertheless.

My own books are here, if that’s your thing. Newest is noir thriller East of England.