How to Stunt in Hollywood, by Amy Johnston (Amazon Createspace, 2018)

A series of interviews with Hollywood stunt performers. A stunt performer themselves, Johnston offers both a thematic and a stunt person-by-stunt person pathway through these interviews. Useful in giving insights into stunt folks’ perspectives on career-building, on storytelling through action, on working collaboratively in Hollywood, and on wider motivational and healthy living advice. Niche, perhaps, but informative and accessible.

My own books here, if that’s your thing. Newest is noir thriller East of England.

Your Simple Guide to Reversing Type 2 Diabetes, by Professor Roy Taylor (Short Books, 2021)

As promised, a pacy and straightforward overview of the relationship between excess pancreatic fat and type 2 diabetes, and how a direct no-nonsense approach to dieting can address this health issue. Perhaps easier said than done, but the book makes a clear case for action, outlines what’s needed to be achieved and why, and tells you how to do it. That’s pretty good going. Recommended.

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My own books are here, if that’s your thing. Newest is noir thriller East of England.

Dan O’Bannon’s Guide to Screenplay Structure, by Dan O’Bannon and Matt R Lohr (Michael Wiese Productions, 2012)

A guide to three act structure, and why it works for narrative cinema: including the Alien screenwriter’s own variant. Completed posthumously, this is an accessible, lightly erudite and fun guide to onscreen storytelling. One third structural analysis, one third application of O’Bannon’s version of the three act template to selected movies, one third industry observations.

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My own books are here, if that’s your thing. Newest is noir thriller East of England.

Nobody Wants To Read Your Shit (And Other Tough-Love Truths To Make You A Better Writer), by Steven Pressfield (Black Irish Entertainment, 2016)

Another writing/creativity get-up-and-do-it how-to book from Pressfield, this time focused on lessons learned along the way as a novelist, screenwriter, as an advertising creative, and as a motivational writer. The most important lesson is in the book’s title: others focus on the twin imperatives of theme and story to any form of writing. Excellent as ever: the trick is to now go and do it, of course.

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My own books are here, if that’s your thing. Newest is noir thriller East of England.

If I Only Had The Time: How To Keep Writing When The World Stops Moving, by Dave Cohen (TTTTTT Publications, 2021)

Reflections on creative writing: access, opportunities, and restrictions in 2021. An excellent short overview, with comedy writer Cohen bringing his decades of experience to the table. A focus throughout on the impacts of coronavirus and the internet, and on the need to both re-evaluate goals and directions while seeing new realities as chances. Recommended.

My own books are here, if that’s your thing. Newest is noir thriller East of England.

Creativity: A Short and Cheerful Guide, by John Cleese (Hutchinson, 2020)

A brisk overview of creativity as a concept and as part of writing and related practices. Straightforward and accessible (if geared to Cleese fans and to folk who know who William Goldman is) but undeniably brief, scarcely stretching to anything approaching book length. Still, some useful insights and experiences are noted.

My own books are here, if that’s your thing. Newest is noir thriller East of England.

The Organised Writer: How To Stay On Top Of All Your Projects And Never Miss A Deadline, by Antony Johnston (Bloomsbury, 2020)

A seasoned pro’s guide to structuring your writing life, to managing workload, and to tackling administration. A clear and detailed approach (with accompanying downloadable forms etc) that works both as a study of professional practice and as a practical how-to book. Even if you don’t put Johnston’s system into operation, there’s plenty of tips and ideas to support focus and direction.

My own books are here, if that’s your thing. Newest is noir thriller East of England.

Tips from a Publisher, by Scott Pack (Eye Books, 2020)

A guide to writing, editing, submitting and publishing – as the book’s subtitle says – from an industry perspective. A friendly, useful, realistic, up-to-date and detailed guide to what to expect from and with agents and publishers (as well as with non-traditional ways into publication), and how to approach them professionally. A great addition to any shelf of writery books. Recommended.

My own books here, if that’s your thing. Newest is noir thriller East of England.

More Golden Rules Of Acting, by Andy Nyman (Nick Hern Books, 2019)

A follow-up to the 2012 first volume, giving an insider’s perspective on how to be an actor, in all that this entails. Useful insights for anyone linked with creative and gig-based working – not just boards-troublers – that might be summarised in three words: positivity, politeness, professionalism. Best read with Book 1, but a valuable reality check nevertheless.

My own books are here, if that’s your thing. Newest is noir thriller East of England.