Capsule book reviews in 255 characters or fewer. Ish. A reading diary (1st Jan 2019 onwards) by Eamonn Griffin.
A discussion of a dozen or so formative movies, mostly from the 1970s. A hugely entertaining blend of opinion, anecdote, and autobiography explaining how and why genre movies of the 70s (and cinemagoing) are fundamental to the director‘s approach to cinema. A little bit like the first half of Stephen King‘s On Writing: key context for a pop culture maven.
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My own books are here, if that’s your thing. Newest is noir thriller East of England.
A guide to three act structure, and why it works for narrative cinema: including the Alien screenwriter’s own variant. Completed posthumously, this is an accessible, lightly erudite and fun guide to onscreen storytelling. One third structural analysis, one third application of O’Bannon’s version of the three act template to selected movies, one third industry observations.
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My own books are here, if that’s your thing. Newest is noir thriller East of England.
Another writing/creativity get-up-and-do-it how-to book from Pressfield, this time focused on lessons learned along the way as a novelist, screenwriter, as an advertising creative, and as a motivational writer. The most important lesson is in the book’s title: others focus on the twin imperatives of theme and story to any form of writing. Excellent as ever: the trick is to now go and do it, of course.
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My own books are here, if that’s your thing. Newest is noir thriller East of England.
Epigrams on screenplay construction, by the co-writer of Blade Runner, among others. Useful little nuggets of wisdom. Not for the general reader (it’s like Bresson’s Notes on the Cinematographer, but for movie writing), though some good stuff here nevertheless.
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