Richard Stark’s Parker: The Hunter, by Darwyn Cooke, adapted from the novel by Richard Stark (IDW Publishing, 2012)

New York 1962: a left-for-dead heist operator seeks revenge and the money he’s owed. Fantastic graphic novel adaptation of the Stark/Donald E Westlake thriller. Cooke’s swift dark style and his monochrome renderings capture the prose well, giving the tale a brutal cinematic sweep. Recommended.

My own books are here, if that’s your thing. Newest is noir thriller East of England

Vacationland, by John Hodgman (Viking/Penguin Random House, 2017)

Ruminations on, among other things, owning two holiday homes. Similar in its approach to that of its follow-up Medallion Status, Hodgman discusses the advantages and the minor pitfalls of almost being a celebrity, rural v city life, and the odd responsibilities of homeownership. Deft, pleasant, amusing, melancholic as ever.

My own books are here, if that’s your thing. Newest is noir thriller East of England

Eight Million Ways to Die, by Lawrence Block, John K Snyder III, and Frank Cvetkovic (IDW Publishing, 2018)

A graphic novel adaptation of Block’s fifth Matthew Scudder mystery. And a splendid thing it is too, distilling the book expertly, and conveying it in great noir imagery. Here’s hoping other Scudder books get the same treatment from this team. Recommended (as is the source novel series).

My own books are here, if that’s your thing. Newest is noir thriller East of England

The Silence of the Lambs [Devil’s Advocates], by Barry Forshaw (Auteur Publishing, 2013)

A smart, clear, and diligent monograph on the Jonathan Demme-directed adaptation of the Thomas Harris novel. Straightforward and effective, this short book covers the movie and its source material, as well as the wider impact of Lecter in print and film, as well as in genre. Recommended.

My own books are here, if that’s your thing. Newest is noir thriller East of England

The Descent [Devil’s Advocates], by James Marriott (Auteur Publishing, 2013)

A monograph on the 2005 Neil Marshall-directed horror film. Leaning on Freud for much of its insight, this is an academic but nevertheless readable text on the movie, making clear its associations and being careful to site it in both the director’s wider work as well as in a cycle of mid-00s underground-fixated flicks.

My own books are here, if that’s your thing. Newest is noir thriller East of England

The Blair Witch Project, by Russ Gomm (Arrow Books, 2018)

A folk history of the making of and the later life of horror movie The Blair Witch Project. Taking a fan perspective, but able also to offer contrary opinions, this monograph successfully presents an overview of the movie and indicates why – not least in production and in marketing terms – Blair Witch is still an influential film.

My own books are here, if that’s your thing. Newest is noir thriller East of England