A monograph on the 2005 Neil Marshall-directed horror film. Leaning on Freud for much of its insight, this is an academic but nevertheless readable text on the movie, making clear its associations and being careful to site it in both the director’s wider work as well as in a cycle of mid-00s underground-fixated flicks.
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My own books are here, if that’s your thing. Newest is noir thriller East of England.
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