The Hero, by Lee Child (TLS Books, 2019)

A writer‘s perspective on what the concept of the hero signifies to them. A smart, clear monograph on different aspects of what a hero might be, on the origins of the word and its meanings, and its relationships to thriller fiction. Hints of autobiography and writing philosophy, plus a love of words, meanings, and implications.

My own books are here, if that’s your thing. Newest is noir thriller East of England.

The Reddening, by Adam LG Nevill (Ritual Limited, 2019)

Two sets of investigations into people lost along a remote stretch of Devon coast coincide. Once it settles down, this delivers in terms of cults, sacrifices, hippy rock stars gone feral, and some effective images. More Cthuloid than folk in its horror, and possibly offputtingly-overwritten; some ripe red glee to be had nevertheless.

My own books are here, if that’s your thing. Newest is noir thriller East of England.

Alien 3: The Unproduced Screenplay, by William Gibson, Johnnie Christmas and Tamra Bonvillain (Dark Horse, 2019)

Hicks, Newt, Ripley and Bishop are rescued after the events of Aliens; however, a xenomorph has also survived. Gibson’s unused – and very respectful of the series -screenplay is given a sprightly rendering as a graphic novel. An interesting sidenote to the wider franchise, and a fun SF/horror adventure in its own right.

My own books are here, if that’s your thing. Newest is noir thriller East of England.

 

Blue Moon, by Lee Child (Bantam Press, 2019)

Reacher, in helping an old man with a debt problem, sparks a gang war. A larger canvas than typical this time out, and perhaps more cinematic in scope. Plenty of positives for series fans and for admirers of Child’s prose style, though not an entry point for newbies. Recommended, nevertheless, if this is your kinda thing.

My own books are here, if that’s your thing. Newest is noir thriller East of England.